You can buy replicas of Richard Attenborough's amber-tipped cane or you can listen to ten minute loops of Jeff Goldblum's oddball laugh but there's something you haven't been able to do in twenty years: hear the roar of a T. rex fighting two Velociraptors from thunderous, surround sound of big cinema speakers. Something you've never been able to do is see it in 3D or in IMAX. Until now. And you don't want to miss it.
Is it possible to hate something and yet, at the same time, recognize its greatness? This is a heavy philosophical question and one that I'd like to discuss with you. Anything to get these insufferably catchy tunes from 'Les Miserables' out of my head.
With an asinine plot, risible dialogue and atrocious acting, this sequel to a half-remembered video game adaptation still manages to provide a great number of base thrills with its nightmarish imagery. As such it is a quagmire of dread both within and without, disturbing to watch and to think about. This makes for a strange alchemy: in time you identify with the lead character (a young woman in peril) not because you are engaged with the film, but because enduring such an atrocity becomes its own act of survival. How 'bout that for a neat trick, eh?
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